
Helen Molesworth Upends the Permanent Hang at MOCA LA
Ruth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
Read MoreRuth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
Read MoreIn Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreAn early critique I received as an artist was in jury feedback for an unsuccessful grant application: “why does this work need to be…
Read MoreWhen I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
Read MoreSix months ago, Kristiina Lahde created her own toughest act to follow. Her solo exhibition, Ultra-Parallel, held at the Koffler Centre of the Arts in…
Read MoreThe artist’s studio has long been a beloved subject for art, one nearing art itself. What attracts us to it? What is the quale,…
Read MoreCommenting on a creative relationship that was at the beginning of its end, a 2011 New York Times article quoted Hyperallergic editor-in-chief Hrag Vartanian…
Read MoreIn 1970, a powerful bomb detonated Rodin’s Thinker (1880-81) outside the Cleveland Museum of Art. This edition of the sculpture was a rare version of the existing 25…
Read MoreAlex McLeod’s most recent solo exhibition – his first at Division Gallery in Toronto – is aptly titled HONEYMOON, featuring a unique formal marriage…
Read MoreAfter seeing Derek Liddington’s solo show at aka artist-run in Saskatoon, I immediately went home to reread the first article I wrote on his…
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