The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
Joseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
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Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
Corazon del Sol had just arrived in Lisbon, to an apartment she left in the early 2010s, not long after losing someone close. She…
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The Inequality of Contemporary Art
In an 1854 painting called The Meeting, a young Gustave Courbet depicted himself encountering a rich art patron and his servant. Such was the…
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How to Art Fair
Nobody likes them. Even if you do enjoy an art fair, it would be gauche to say so. You go because it’s your job….
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The Function of Gossip as Criticism in Mexico’s Artworld
Gossip is undoubtedly universal but in Mexico gossip – chisme – seems to exert an influence that distinguishes it from other international art centers. Mexican artist…
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“It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
I first sat down with Jessica Bradley in late July, hoping to discuss her recently shuttered gallery. I was, at that time, wanting what…
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Private View: Luc Tuymans on Henry Raeburn
I first saw Henry Raeburn’s work when I was 16 years old at the Museum of Fine Arts in Ghent. It was a portrait…
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The Lips of a Wound: Reflections on Doris Salcedo
Suture: A joining of the lips or edges of a wound or the like by stitching. The unexpectedly sensuous definition of the clinical term “stitching”…
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Nothing in These Works is Given Freely: The Phenomenological Approach of Frank Auerbach
“I think all good painting looks as though the painting has escaped from the thicket of prepared positions and has entered some sort of…
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A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
I see the use of multiple screens as a device to speed up the narrative flow in film, to conceptually give sequences (loops) momentary…
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