The Sadean Woman: Tricia Middleton and the Violence of Art
Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
Read MoreTricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
Read More“When I first showed the city footage in Poughkeepsie, [artist] Liam Gillick said to me, ‘Anri, tell me the truth. Tell me that this…
Read MoreJillian Kay Ross doesn’t make conceptual paintings. She doesn’t question the fundamentals of her medium, or speak critically to any historical lineage. She isn’t…
Read MoreA recent exhibition at the National Academy Museum in New York raised the question Moshe Safdie (born 1938) has wrestled with his whole career. Is…
Read MoreArt criticism doesn’t often speculate on the value of pithy maxims such as ‘there’s no such thing as bad publicity.” But when an article…
Read MoreI visited Erin Loree’s Toronto studio a couple months before her first commercial exhibition, Midnight Bloom, opened at Angell Gallery in January. Working from…
Read MoreLike Gustav Klimt or Claude Monet, the unwilling darlings of dorm room posters everywhere, Maurits Cornelis Escher belongs to the class of meritorious artists…
Read More“An SEP,” he said, “is something that we can’t see, or don’t see, or our brain doesn’t let us see, because we think that…
Read MoreIn the wake of last year’s No Man’s Land: Women Artist’s from The Rubell Family Collection, and the unprecedented Larry Gagosian / Jeffrey Deitch…
Read MoreNothing about Aleks Slota’s elfin appearance prepares you for his performances. Small-framed and wiry, his body hardly looks bullish enough for acts of endurance…
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