The Photograph is a Hinge: Taca Sui Traces a Cultural Slippage
But when men do not forget what can be forgotten, but forget what cannot be forgotten—that may be called true forgetting. – Zhuangzi A…
Read MoreBut when men do not forget what can be forgotten, but forget what cannot be forgotten—that may be called true forgetting. – Zhuangzi A…
Read MoreIt’s tempting to consider Kristine Moran’s most recent work as a pivot-point in an ascendency from abstraction to figuration. Figures, indeed, are emerging from…
Read MoreIn the early days of 2009, to celebrate its ascendancy to the presidency of the European Union, the Czech Republic commissioned a special artwork…
Read MoreAs subject matter, the debased utopia is low-hanging fruit. Every continent has a few, and they emanate intoxicating aromas of corrupted idealism. In making…
Read MoreFor days before Art Basel opens, an ant colony of installers, assistants, interns, and technicians (an estimated majority of whom are themselves artists-on-the-make, myself…
Read MoreImagine the ghost of Lina Bo Bardi banging the ceiling with a broomstick to annoy whomever’s making a ruckus upstairs. Now imagine it’s not…
Read MoreMona Hatoum’s Grater Divide (2002) is a cheese-grater nearly seven feet high. On the one hand, it’s laugh-out-loud funny. On the other, it’s lethal. It…
Read MoreAsk yourself, What kind of happiness do I feel with this music or this picture? – Agnes Martin, “Beauty is the Mystery of Life”…
Read MoreWhat happens to history in a black hole? Abigail DeVille’s exhibition Only When It’s Dark Enough Can You See the Stars is a dense,…
Read MoreA young architect in Berlin recently argued to me that working with refugees on a design-build project could lend it more credibility and political…
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