Momus Best-Of: Vol. 2 2015-16
As we near our two-year anniversary, and summer draws to a close, Momus takes a moment to reflect on the last twelve months of…
Read MoreAs we near our two-year anniversary, and summer draws to a close, Momus takes a moment to reflect on the last twelve months of…
Read MoreOn April 19, 2016, Momus presented a talk by award-winning art critic and former Momus contributing editor Orit Gat titled “If It Looks Like Zeitgeist, It Might be Anxiety: Art After…
Read MoreA retrospective exhibition should be thick with time. More ephemeral than the objects it displays, it is a stillness that passes, a terrain upon…
Read MoreThis year’s Berlin Biennale title, The Present in Drag, spells out clearly what we can expect. The aim of the show is to reflect…
Read MoreOccasionally, a show hits the sweet spot so squarely, that critical faculties seem to evaporate on the tip of one’s tongue. In the case…
Read MoreThe spiritual iconographies of Paul Petro’s roster are many. Robert Flack’s seven chakras series from the 1990s; Stephen Andrews’s heaven painting, and The Apostles;…
Read MoreStaging a major retrospective of Edmund Alleyn as a flagship summer show is a bold move on the part of the Musée d’art contemporain…
Read MoreRachel Harrison’s acidic colors, faux-finish surfaces, and otherwise unseemly media screech like saboteurs of good taste. Unlike a certain nascent presidential candidate, however, they…
Read MoreIt is a very small, and no doubt unintentional victory for the curatorial concept of Manifesta 11: What People Do for Money-Some Joint Ventures…
Read MoreHow much homework should we expect to slog through, en route to art? One could surmise “A lot,” according to Jean Marie Straub and…
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