Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
The phrase “cutting for sign” means searching a landscape for clues. This might refer to the search for a lost herd of cattle or…
Read MoreThe phrase “cutting for sign” means searching a landscape for clues. This might refer to the search for a lost herd of cattle or…
Read MoreIn April, I wrote a review of an exhibition at the Hammer Museum at UCLA: “Jimmie Durham: At the Center of the World.” I…
Read MoreLet’s start with the premise that Ydessa Hendeles is an artist. And why shouldn’t we? Is it the fact that she started as a…
Read MoreHélio Oiticica, one of the most famous figures of Brazil’s mid-century surge of experimental art, once said that his goal was to strike “a…
Read MoreAny description of the new traveling Georgia O’Keeffe exhibit Living Modern must start with a blouse. On a hanger in the middle of the…
Read MoreLike exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
Read MoreThe pedagogical framework espoused by the title of this year’s two-city, quinquennial documenta – Learning from Athens – preemptively suggests an ethnographic or neocolonial…
Read MoreOn May 28, 2017, MASS MoCA inaugurated its new Building 6, doubling its existing gallery space and turning the 16-acre complex of abandoned, 19th-century…
Read MoreThe bad news is Brexit. The good news (other than the recent British election) is that British humor, of the nonsense variety, is alive…
Read MoreRecent art writing has been marked by a compulsion to cast every subject against an unfolding political crisis. Press releases, reviews, and essays implore…
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