Embraced by an Amniotic Earth: Delcy Morelos at Dia Chelsea
In El abrazo, Delcy Morelos’s site-specific solo exhibition at Dia Chelsea in New York, two earthworks swell against the perimeters of two discrete, darkened…
Read MoreIn El abrazo, Delcy Morelos’s site-specific solo exhibition at Dia Chelsea in New York, two earthworks swell against the perimeters of two discrete, darkened…
Read MorePizandawatc / The One Who Listens / Celui qui écoute, a recent exhibition at the Art Museum at the University of Toronto (AMUT), draws…
Read MoreIn the fall of 2023, when I came to New York on a research fellowship, I visited Levani’s studio for the second time. Levani,…
Read More“The Sound-Sweep,” a 1960 short story by J. G. Ballard, takes place in a world where normal music has been supplanted by soundless, uncontaminated…
Read MoreSatisfaction (2000) by the artist Alexis Smith is a collage that features a shabby reproduction of Hokusai’s The Great Wave placed within a glitzy…
Read MoreI was once teleported to Chapada dos Veadeiros (Plateau of the Deer Protectors) National Park in the southwestern region of the state of Goiás…
Read MoreWhat is the visuality of abortion care? Though I am writing this text for a publication based in Los Angeles—once my home for many…
Read MoreSawridge First Nation artist Brenda Draney paints open-ended memories, what might have been or should have been or could have been otherwise. Her solo…
Read MoreOn August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.”…
Read MoreWhat does an art practice that contends with feminism look like? In what ways can such a practice foreclose a confrontation with the complexities…
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