The Seductive Branding of Phoebe Greenberg
Phoebe Greenberg occupies a unique position in Montreal’s art community, as well as in Canada – and she’s made sure of it. The former…
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Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh
A strangeness has taken root in Jennifer Rose Sciarrino’s Ruffled Follicles and a Tangled Tongue, at the Southern Alberta Art Gallery. It’s a strangeness…
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Ana Mendieta’s Death is Not a Metaphor
Let the art come first. This must have been the axiom behind Covered in Time and History, Martin-Gropius-Bau’s 2018 exhibition of twenty-three films and…
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Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
Pierre Huyghe’s work has often worn its politics lightly, preferring to focus on the exhibition as a laboratory-theater for cultural experiment. However, his latest…
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“Velvet Buzzsaw” Should Terrify the Artworld
Velvet Buzzsaw, launching on Netflix tomorrow, had me hooked from the first line uttered by its protagonist. In the opening scene, we see Jake Gyllenhaal’s…
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The Picture of Terror: Contemporary Art and the Islamic State
In January of 2015, Hito Steyerl ventured to the border between Turkey and Syria while the battle for Kobanê – a harrowing struggle between…
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Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
I’ve spent the better part of five months trying to write a review of a show that’s now closed: MOCA Toronto’s inaugural exhibition, Believe….
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What’s Wrong with a Fairly Good Biennial?
What’s not to like about good art, hung well – not too packed, not too sparse – across venues of many scales and vintages,…
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Signal and Noise: Sara Eliassen and the Visual Roots of Fascism
During an October campaign event leading up to the 2018 midterm elections, President Trump declared himself openly as a “nationalist,” but not a “white…
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The 57th Carnegie International Wanders in Search of “Museum Joy”
Ingrid Schaffner, curator of the 57th Carnegie International, announces in the exhibition’s accompanying book that “The aim of this International is simply to inspire…
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