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Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six
“Everything is composed of small particles of itself and they are flying around in concentric circles and arcs and segments and innumerable other geometrical…
Read More“Everything is composed of small particles of itself and they are flying around in concentric circles and arcs and segments and innumerable other geometrical…
Read MoreWhen I was an undergraduate in the early 2000s, Andrea Dworkin’s “anti-sex” writing was anathema to the prevailing discourse of feminism. The cultural moment…
Read MoreIt’s been a hundred years of bent chrome furniture, and Germany is taking stock. On the centennial of the Bauhaus art school, new permanent…
Read MoreOne might think that the recent swell of interest in black art would have eased some of the burdens faced by those who have…
Read MoreWhatever else they do in this world or the next, gods take up space. Consider Dorothy Iannone’s recent exhibition Lady Liberty Meets Her Match…
Read MoreMilling through the Vancouver Art Gallery earlier this spring, I stopped before a towering diptych that paired a cartoon prince and a back-turned nude….
Read MoreOn the occasion of the opening of a Handful of Dust, at the Polygon Gallery in North Vancouver, visiting curator David Campany shared an…
Read MoreFew people have seen the work of 20th-century Indigenous artist Mary Sully. Despite her belonging to a prominent Indigenous family (one of her drawings…
Read MoreThe term “applied art” can only read as a misnomer in 2019, when the line between strictly functional and purely aesthetic art practices has…
Read MoreIn continuing our season-long exploration of the question “What makes great art?” co-hosts Lauren Wetmore and Sky Goodden speak to essential voices about what…
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