Turner Prize: Confused Critics Demand Relevance
I won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
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I won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
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Sitting down to read an epic novel is to relive an epoch, embark on a long journey – it’s not enough to sit back and…
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You are a writer, a curator, an installation artist, a social practitioner, a fly-by-night art advisor, an art-fair fixture, an inveterate biennialist. You live…
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A dramatic narrative emerged in Toronto’s artworld, this fall, regarding the perceived challenge presented to Canada’s best-established international art fair, Art Toronto, by the…
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The word “post-internet” is a useful, if maybe not quite necessary, evil. First attributed to the writing of artist Marisa Olson, the term has…
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An infamous art historical tale goes a little something like this. In April of 1917 the Society of Independent Artists was preparing for its…
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Continued from “A Theory of Everything: On the State of Theory and Criticism (Part One)” Looking at Towards an Anthropology of Influence, it’s possible to see…
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Given that I’ve chosen to contribute to a platform that boasts “a return to art criticism,” it would be worth considering what that might…
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Let me begin with an art historical chestnut — a 1855 painting by the French painter Gustave Courbet called The Artist’s Studio, A Real…
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The latest fair to arrive to Canada’s growing art market was named Feature, but could have been titled Focus. With only twenty-three galleries, and…
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