Translation & Transcription: A Conversation with Shelagh Keeley
The narrow central clerestory of The Power Plant in Toronto rises from the main floor up between its east and west gallery zones. It…
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The narrow central clerestory of The Power Plant in Toronto rises from the main floor up between its east and west gallery zones. It…
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Does anyone write diaries any more? Does anyone learn about themselves through reflexive engagement with their own written word? Or do we form conceptions…
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At a time when so many critics are perfunctorily setting about their annual “best-of” surveys, Brad Phillips published a 3,000-word article that carried the…
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Walter Benjamin has a line about the Angel of History who sees the past as “one single catastrophe, which unceasingly piles rubble on top of rubble and…
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In 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…
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I wanted to make “the fourth wall” no longer a mirror, but a membrane that makes the spectator aware of this coming and going…
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I won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
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Sitting down to read an epic novel is to relive an epoch, embark on a long journey – it’s not enough to sit back and…
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You are a writer, a curator, an installation artist, a social practitioner, a fly-by-night art advisor, an art-fair fixture, an inveterate biennialist. You live…
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A dramatic narrative emerged in Toronto’s artworld, this fall, regarding the perceived challenge presented to Canada’s best-established international art fair, Art Toronto, by the…
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