Turner Prize: Confused Critics Demand Relevance
I won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
Read MoreI won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
Read MoreSitting down to read an epic novel is to relive an epoch, embark on a long journey – it’s not enough to sit back and…
Read MoreYou are a writer, a curator, an installation artist, a social practitioner, a fly-by-night art advisor, an art-fair fixture, an inveterate biennialist. You live…
Read MoreA dramatic narrative emerged in Toronto’s artworld, this fall, regarding the perceived challenge presented to Canada’s best-established international art fair, Art Toronto, by the…
Read MoreThe word “post-internet” is a useful, if maybe not quite necessary, evil. First attributed to the writing of artist Marisa Olson, the term has…
Read MoreAn infamous art historical tale goes a little something like this. In April of 1917 the Society of Independent Artists was preparing for its…
Read MoreContinued from “A Theory of Everything: On the State of Theory and Criticism (Part One)” Looking at Towards an Anthropology of Influence, it’s possible to see…
Read MoreGiven that I’ve chosen to contribute to a platform that boasts “a return to art criticism,” it would be worth considering what that might…
Read MoreLet me begin with an art historical chestnut — a 1855 painting by the French painter Gustave Courbet called The Artist’s Studio, A Real…
Read MoreThe latest fair to arrive to Canada’s growing art market was named Feature, but could have been titled Focus. With only twenty-three galleries, and…
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