Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett
Four square all light sheer white blank planes all gone from mind. Never was but grey air timeless no sound figment the passing light….
Read MoreFeatures
On Jurassic World’s Blockbusting Fear of Art
It’s easy to ignore pop culture’s messages. Too easy. Popular culture delivers its ideas and manifestos with such ham-fisted, careless presentation that the first…
Read More
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
The most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
Read More
#Longform and #Longreads Journalism: Its Reality and Potential
Amazon’s recent announcement that it will begin paying authors who self-publish on the retailer’s various Kindle platforms according to the number of pages users…
Read More
Perfect Bedfellows: Tracey Emin on Francis Bacon
One of Tracey Emin ’s best known and most controversial works, My Bed, first made in 1998, and once in private hands, is now on…
Read More
How To See a Sunset
First you pass through a canyon of glass bank towers, hugging the 110 on either side, concrete overpasses and underpasses, off-ramps and onramps, exits…
Read More
Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
There is a bracing moment at the end of my interview with Chantal Pontbriand in early July, where, just as I’m about to leave,…
Read More
It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
… every text is from the outset under the jurisdiction of other discourses which impose a universe on it… [text operate] within the totality…
Read More
Post-Crisis: What’s Next for Art Criticism in a Digital Age
Momus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
Read More
The Exit Interview: Matthew Teitelbaum
June 26, 2015 marks Matthew Teitelbaum’s last day as the director and CEO of the Art Gallery of Ontario (AGO). His departure caps 22 years…
Read More