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“Made in Germany”: Can the Artworld Have a Nation?
Like exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
Read MoreLike exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
Read MoreOn May 28, 2017, MASS MoCA inaugurated its new Building 6, doubling its existing gallery space and turning the 16-acre complex of abandoned, 19th-century…
Read MoreRecent art writing has been marked by a compulsion to cast every subject against an unfolding political crisis. Press releases, reviews, and essays implore…
Read MoreA burst of confetti from a painted cannon. A name you call across the crowd: Martha, Martha, Martha. An exasperation with her force like…
Read MoreWhen a curator chooses a title as desperately bubbly as Viva Arte Viva, something is clearly amiss. “Live art live!” – the 57th Venice…
Read MorePilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
Read MoreThis is the first entry in a new series titled “Portraits,” by Momus contributing editor Andrew Berardini. The project is an experiment: Berardini sits…
Read More“Any ideas of art history or significance were forgotten,” wrote gallerist Virginia Dwan in 1990, remembering the first time she saw one of Yves…
Read MoreVito Acconci, a towering figure in the history of performance art, and more recently known for his experimental architecture, has died at the age…
Read MoreIn 2005, at the Canadian Pavilion for the Venice Biennale, Indigenous artist Rebecca Belmore projected a video installation called Fountain onto a wall of…
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