The Bold Refusal of lauren woods’s “American Monument”
There is a room for reflection with plush fuchsia carpeting outside of American Monument, an exhibition by lauren woods (she always uses lower-case letters)…
Read MoreThere is a room for reflection with plush fuchsia carpeting outside of American Monument, an exhibition by lauren woods (she always uses lower-case letters)…
Read More“The internet wouldn’t exist without pornography,” Marilyn Minter quipped on at least two occasions while in Hong Kong for the opening of her summer…
Read More“When in Rome, do as the Romans do.” It sounds like good advice, but Romans seem largely to ignore William Kentridge’s Triumphs and Laments,…
Read MoreI first observed the uncanny paintings of Ambera Wellmann in an intimate solo show at Toronto’s now-defunct Richard Rhodes Dupont Projects. A natural light…
Read More In Momus: The Podcast‘s 7th episode, we have brought together a group of artists, curators, and scholars to update the conversation around Artist-Run…
Read MoreThe night is dark and full of texture. And somewhere, over an indeterminate stretch of inky sea, the sky is lit up with red…
Read More In this episode of “Criticism in Conversation,” two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host…
Read MoreFor this episode of our Criticism in Conversation series, a writer and collaborative performer, Jacob Wren, speaks with artist Dayna Danger, about the line…
Read MoreAmid a surging wave of political activism and newly liberated energies, Carolee Schneemann wrote, in 1968, that “perception should lead to action.” Schneemann suspected…
Read MoreIn this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of…
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