It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
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Episode 15: “What Makes Great Art?” with Isabel Lewis
For this month’s episode circling the question “what makes great art?”, Lauren Wetmore spoke with Berlin-based artist Isabel Lewis. Lewis was trained in…
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Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
I was lured by the promise of a sepia-tinged ideal: west Texas golden hours and wide-open spaces. A visit to Marfa had long been…
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Episode 14: “What Makes Great Art?” with Jarrett Earnest
For this month’s episode, towards our season’s question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. Earnest…
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The Future Wandering of Tau Lewis
A conversation with Tau Lewis is an exercise in looking back as much as in looking forward. In discussing her figurative sculptures, she circles…
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Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
In September 2018, word traveled of accusations of trans censorship by a Mohkinstsis (Calgarian) arts facility. The allegedly-censored video work in question, A Thousand…
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Art and Labor: Writers Bloc
It was an ordinary Friday evening in September, perhaps already giving way to Saturday morning bleariness, when I turned to my partner half asleep and…
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A Crit of the Crit
Lately I’ve been thinking about how we do “crits” at art school, and how we might do them differently. The crit, or critique, is…
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Learning as Supporting: Alternatives for Futures in Art Education
Artist Eliza Swann moved to Los Angeles in 2013, after the spirit of a raven told her, head west. Swann had been in the…
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Notes on a Crisis in Beauty
1. “I do not mourn for what I have lost. For if there is one new art that we have had to learn, those…
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