Breathing Resistance: An Interview with Sahar Te
The sound of breathing permeated the space. It was unsettling not only because this encounter happened in the middle of a pandemic in which…
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Oliver Lee Jackson, the People’s Painter
“The Painter” moves expansively but in fits across the second side of Dogon A.D., a pendulous free jazz masterpiece self-released by Julius Hemphill in…
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Season 5, Episode 3: Dana Kopel
In this episode Lauren Wetmore speaks with writer and organizer Dana Kopel about her widely-read article “Against Artspolitation: Unionizing the New Museum,” published in…
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Plant People
What is it about the threat of impending death that drives us into the arms of Mother Nature? In 2020, there was a curious…
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Losing Ground in Singapore’s State-Curated Digital Age
The Substation, a leading arts center in Singapore, announced its permanent closure in March after its thirty-year stint as an independent home for the…
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Season 5 Episode 2: Harry Dodge
In this episode, artist Harry Dodge reads from My Meteorite, or Without the Random There Can Be No New Thing (Penguin Press, 2020). Dodge, a…
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Season 5 Episode 1: Emmanuel Iduma
In the first episode of Season 5, Lauren Wetmore speaks with Nigerian art writer Emmanuel Iduma, who reads from “Mileage from Here: Nine…
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Situating Great Ocean Art in Canadian Museums
I come from the villages of Leulumoega, Siʻumu, Salelologa and Āpia in the western islands of the Sāmoan archipelago. My family also comes from…
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The Capaciousness of Blackness: An Interview with Dawit. L. Petros
Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money,…
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Stop Guarding the Art
The Baltimore Museum of Art will open an exhibition guest-curated by 17 of the museum’s security officers next March. Titled Guarding the Art, art…
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