While the World Burns: The 32nd São Paulo Biennial’s Political Disregard
For the first time in the history of the São Paulo Biennial, the turnstiles disappeared. Attendees carried no tickets and sported no bracelets. The…
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For the first time in the history of the São Paulo Biennial, the turnstiles disappeared. Attendees carried no tickets and sported no bracelets. The…
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The looping ladies and lipsticked cigarettes of Sojourner Truth Parsons’s past pictures give way here to a litter of pups amidst polychromatic explosions sopping…
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The word “angst”’ in German carries a certain weight – as most German words do – that is less evident in its English appropriation:…
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The Queens Museum is devoting more space than it has ever given over to a single artist to survey the career of Mierle Laderman…
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“I’ll show you fear in a handful of dust.” – T.S. Eliot, The Wasteland …
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Within intimate relationships, symptoms of passive aggression range from mild irritation to buckling torpor. When the relationship is between entire populations and corrupted institutions,…
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A retrospective exhibition should be thick with time. More ephemeral than the objects it displays, it is a stillness that passes, a terrain upon…
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This year’s Berlin Biennale title, The Present in Drag, spells out clearly what we can expect. The aim of the show is to reflect…
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Occasionally, a show hits the sweet spot so squarely, that critical faculties seem to evaporate on the tip of one’s tongue. In the case…
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Rachel Harrison’s acidic colors, faux-finish surfaces, and otherwise unseemly media screech like saboteurs of good taste. Unlike a certain nascent presidential candidate, however, they…
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