
More Culture than Capital: Modesty and Ambition at the Atlanta Biennial
Every year, more cities mount biennials. Over a century of variations on a similar theme, and the purpose of this recurring model remains unclear…
Read MoreEvery year, more cities mount biennials. Over a century of variations on a similar theme, and the purpose of this recurring model remains unclear…
Read More“Words are worldly; not just in the sense that they proliferate and float up into the sky and become cloud-like. Words world too.” Billy-Ray…
Read MoreA strangeness has taken root in Jennifer Rose Sciarrino’s Ruffled Follicles and a Tangled Tongue, at the Southern Alberta Art Gallery. It’s a strangeness…
Read MoreLet the art come first. This must have been the axiom behind Covered in Time and History, Martin-Gropius-Bau’s 2018 exhibition of twenty-three films and…
Read MorePierre Huyghe’s work has often worn its politics lightly, preferring to focus on the exhibition as a laboratory-theater for cultural experiment. However, his latest…
Read MoreVelvet Buzzsaw, launching on Netflix tomorrow, had me hooked from the first line uttered by its protagonist. In the opening scene, we see Jake Gyllenhaal’s…
Read MoreI’ve spent the better part of five months trying to write a review of a show that’s now closed: MOCA Toronto’s inaugural exhibition, Believe….
Read MoreWhat’s not to like about good art, hung well – not too packed, not too sparse – across venues of many scales and vintages,…
Read MoreDuring an October campaign event leading up to the 2018 midterm elections, President Trump declared himself openly as a “nationalist,” but not a “white…
Read MoreIngrid Schaffner, curator of the 57th Carnegie International, announces in the exhibition’s accompanying book that “The aim of this International is simply to inspire…
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