The All-Seeing Eyes of Carol Rama
During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze surveilling…
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“Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
In the Helsinki archipelago, as the days stretched toward the midsummer sun, birds were my consistent companions. Gulls circled overhead as I rode the…
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Jeffrey Gibson Saves America
Premiering at the 60th Venice Biennale in 2024 before opening this summer at the Broad in Tovaangar (Los Angeles), Jeffrey Gibson’s exhibition the space…
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Jack Whitten, Human Xerox Machine
Tilt your ear to a Jack Whitten painting and you might hear music. “You gotta be able to think like John Coltrane to do…
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Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
At this time when we are fighting an all out war against tyranny and oppression, it is extremely important that the picture of Negro…
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Improvising at the Edge of the World: Joan Jonas at the Gund
Somewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind turned to the title of Lucie…
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A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas
The late artist Carole Caroompas was once asked why rock and roll provided such generative source material for her paintings and performance art. Caroompas…
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The Breathing Field of Marlon Kroll
I sat in the last row of the bus, watching the scenery dissolve into dusk, each passing moment echoing the temporal experience I’d just…
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We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons
For the past few weeks, I’ve been mulling over an image from a single-channel video by interdisciplinary artist María Magdalena Campos-Pons. In Baño Sagrado…
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Dreams Being Real: EDELO’s Frontline Resistance
Entering the main gallery at UC Santa Cruz’s Institute of the Arts and Sciences, visitors are confronted by a massive fallen tree made of…
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