Alien vs. Predator: The Critic in Three Recent Films
“What has to happen in someone’s life for them to end up becoming a critic?” asks Michael Keaton’s desperate, contemptuous Riggan Thomson in Alejandro…
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“What has to happen in someone’s life for them to end up becoming a critic?” asks Michael Keaton’s desperate, contemptuous Riggan Thomson in Alejandro…
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It’s a new year, which is a fine excuse as any to ditch old bad habits. Here below, I have assembled a not-at-all exhaustive…
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A principal difference between year-end lists, rankings, and recollections about art, and those about music, books, or films is that it’s much more difficult…
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To cast back and select my favorite art this year requires a mnemonic leap of faith. I’d hope the ‘best’ exhibitions, pieces, and events…
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The narrow central clerestory of The Power Plant in Toronto rises from the main floor up between its east and west gallery zones. It…
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Does anyone write diaries any more? Does anyone learn about themselves through reflexive engagement with their own written word? Or do we form conceptions…
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At a time when so many critics are perfunctorily setting about their annual “best-of” surveys, Brad Phillips published a 3,000-word article that carried the…
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Walter Benjamin has a line about the Angel of History who sees the past as “one single catastrophe, which unceasingly piles rubble on top of rubble and…
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In 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…
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I wanted to make “the fourth wall” no longer a mirror, but a membrane that makes the spectator aware of this coming and going…
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