From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation
Landscaping along the 87-mile stretch of highway from Shanghai to the ancient village of Wuzhen in southern China is a work in progress. On…
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Any Plans After the Exhibition?
The image above is an installation shot from When Attitudes Become Form: Bern 1969/Venice 2013. It was a recreation of Harald Szeeman’s famous exhibition…
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The Most Important Art Essays of the Year
This time last year, my editor asked me to put together a list of the most important essays of 2014, and I drew a blank….
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Why Can’t We Talk About Class and Art in Canada?
A couple of weeks ago, an old friend posted a j’accuse on social media. It was brief and blunt and perhaps even rude. They…
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The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
Joseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
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Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
Corazon del Sol had just arrived in Lisbon, to an apartment she left in the early 2010s, not long after losing someone close. She…
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The Inequality of Contemporary Art
In an 1854 painting called The Meeting, a young Gustave Courbet depicted himself encountering a rich art patron and his servant. Such was the…
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How to Art Fair
Nobody likes them. Even if you do enjoy an art fair, it would be gauche to say so. You go because it’s your job….
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The Function of Gossip as Criticism in Mexico’s Artworld
Gossip is undoubtedly universal but in Mexico gossip – chisme – seems to exert an influence that distinguishes it from other international art centers. Mexican artist…
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“It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
I first sat down with Jessica Bradley in late July, hoping to discuss her recently shuttered gallery. I was, at that time, wanting what…
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