“Made in Germany”: Can the Artworld Have a Nation?
Like exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
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Like exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
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On May 28, 2017, MASS MoCA inaugurated its new Building 6, doubling its existing gallery space and turning the 16-acre complex of abandoned, 19th-century…
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Recent art writing has been marked by a compulsion to cast every subject against an unfolding political crisis. Press releases, reviews, and essays implore…
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A burst of confetti from a painted cannon. A name you call across the crowd: Martha, Martha, Martha. An exasperation with her force like…
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When a curator chooses a title as desperately bubbly as Viva Arte Viva, something is clearly amiss. “Live art live!” – the 57th Venice…
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Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
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This is the first entry in a new series titled “Portraits,” by Momus contributing editor Andrew Berardini. The project is an experiment: Berardini sits…
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“Any ideas of art history or significance were forgotten,” wrote gallerist Virginia Dwan in 1990, remembering the first time she saw one of Yves…
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Vito Acconci, a towering figure in the history of performance art, and more recently known for his experimental architecture, has died at the age…
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In 2005, at the Canadian Pavilion for the Venice Biennale, Indigenous artist Rebecca Belmore projected a video installation called Fountain onto a wall of…
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