
Carolee Schneemann’s Ethics of Eros
Amid a surging wave of political activism and newly liberated energies, Carolee Schneemann wrote, in 1968, that “perception should lead to action.” Schneemann suspected…
Read MoreAmid a surging wave of political activism and newly liberated energies, Carolee Schneemann wrote, in 1968, that “perception should lead to action.” Schneemann suspected…
Read MoreIn this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of…
Read MoreThe Rencontres d’Arles is arguably the most important photography event of the year. From tiny galleries to medieval churches to a Roman amphitheater, the…
Read MoreAs Momus nears its fourth anniversary, and cautiously begins celebrating its evolution from a very fledgling start, we’ve been met with a review from…
Read More Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can…
Read MoreOn the occasion of Architecture Fringe 2018, a Scotland-wide festival of art and architecture, I recently delivered an informal talk entitled “Piles of Dirt…
Read MoreIn the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
Read MoreAs first impressions go, it wasn’t ideal. On the week he was announced as MOCA Los Angeles’s new director, Klaus Biesenbach managed to alienate…
Read MoreOn a sunny weekend in June, a multigenerational crowd of artists and art enthusiasts flocked to a series of vacant storefronts and office spaces…
Read MoreJoshua Schwebel is a Berlin-based artist whose work engages in conceptual and performative strategies of subterfuge. While a number of his projects have employed…
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