Photography gallerist Stephen Bulger (b. 1964) is celebrating a significant anniversary after steadily and concertedly contributing to the international market’s appreciation of photography’s position in…
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Early in its trajectory, independent curator and writer Christopher Eamon distinguished himself in the field of moving-image media and photography, and asserted its knock-kneed…
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Suzy Lake occupies a unique position in contemporary art history, having both helmed and contributed to the advent and advancement of at least three…
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It’s interesting that Janet Werner graduated in the same class as John Currin. It shouldn’t be remarkable, as they’re both statured and fully-arrived painters….
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Stéphane Aquin holds a distinguished profile in the Canadian artworld and abroad, in part because he arrived to the role of curator from art…
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In order to enter the Union Station’s Great Hall – a stunning keystone of Toronto’s historic architecture, with soaring coffered ceilings and heritage marble…
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Mexican artist Pedro Reyes assumes a mantel that feels at once familiar and utterly unique. In a contemporary-art moment that is pronounced for its lateral reach…
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At a time when so many critics are perfunctorily setting about their annual “best-of” surveys, Brad Phillips published a 3,000-word article that carried the…
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Emerging curator Rui Amaral is troubling the third rail of contemporary art. He’s been fingering the margins of what’s visible, the all-important link to…
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A dramatic narrative emerged in Toronto’s artworld, this fall, regarding the perceived challenge presented to Canada’s best-established international art fair, Art Toronto, by the…
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