Our Mutual Desire for Critical Change: Momus and Feature Art Fair
In Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreIn Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreIn 1970, a powerful bomb detonated Rodin’s Thinker (1880-81) outside the Cleveland Museum of Art. This edition of the sculpture was a rare version of the existing 25…
Read MoreTwice in the past year I’ve visited Olga Korper and she’s taken me from the gallery, past the offices, through her kitchen (where there’s…
Read MoreIt’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
Read MoreIt’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreThere is a bracing moment at the end of my interview with Chantal Pontbriand in early July, where, just as I’m about to leave,…
Read MoreMomus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
Read MoreWalking the AGO’s latest exhibition Picturing the Americas: Landscapes from Tierra del Fuego to the Arctic with Wanda Nanibush, an Anishnawbe-kwe artist, consultant, and…
Read MoreTwice in the course of a thirty-minute interview with Tacita Dean, her eyes move across the room and narrow-in on the media coordinator, who…
Read MoreA recent scuttling on social-media signaled a disturbance was underfoot at Alberta College of Art + Design (ACAD), where the well-reputed Illingworth Kerr Gallery…
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