The Sadean Woman: Tricia Middleton and the Violence of Art
Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
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            Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
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            In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
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            In the year 2000, curator Phillippe Vergne staged an exhibition at the Walker Art Center in Minneapolis titled Let’s Entertain: Life’s Guilty Pleasures. It…
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            Entering Juan Ortiz-Apuy’s Out of This Light, Into this Shadow, his second solo exhibition at galerie antoine ertaskiran, the first thing that strikes me…
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            A principal difference between year-end lists, rankings, and recollections about art, and those about music, books, or films is that it’s much more difficult…
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            Kathleen Ritter is an artist. This may come as a surprise to some who knew her better as associate curator at the Vancouver Art…
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            The Montreal Biennale is at once a new institution and an old one. Last year, the previous iteration of the Biennale (independently operated since…
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            Continued from “A Theory of Everything: On the State of Theory and Criticism (Part One)” Looking at Towards an Anthropology of Influence, it’s possible to see…
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            Given that I’ve chosen to contribute to a platform that boasts “a return to art criticism,” it would be worth considering what that might…
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            No doubt you’ve noticed it: from museums to film festivals, boutiques to restaurants, and basically everywhere on the internet, people are curating. Once the…
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