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Earl Miller

Earl Miller is an independent curator and art writer based in Toronto. He has curated exhibitions across Canada in public galleries and institutions such as the Doris McCarthy Gallery, the Yukon Art Centre, the Tree Museum, and the Art Gallery of York University. He has written catalogue essays for galleries and institutions including the National Museum of Romania, the Art Gallery of Hamilton, and Le Crédac: Centre d’Art Contemporain d’Ivry. His essays have also appeared in books, and he has contributed to numerous visual arts periodicals including Art in America, Canadian Art, and Flash Art. He is a member of the International Association of Art Critics, through which he presented a paper at AICA-Korea’s 2014 AICA International Congress in Seoul, South Korea, in 2014.

Reviews• January 10, 2019

The 57th Carnegie International Wanders in Search of “Museum Joy”

By Earl Miller

Ingrid Schaffner, curator of the 57th Carnegie International, announces in the exhibition’s accompanying book that “The aim of this International is simply to inspire…

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Reviews• January 7, 2016

No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX

By Earl Miller

A small white boat navigates forceful swells and choppy waves. No land in sight, this lone vessel presses forth. Fortunately, the lightly clouded sky…

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Features• July 24, 2015

On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

By Earl Miller

The most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…

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Features• December 11, 2014

A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

By Earl Miller

In 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…

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