February 18, 2026

Jeneen Frei Njootli

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Season 9, Episode 2

Jeneen Frei Njootli joins this episode of Momus: The Podcast from their ancestral homelands in Old Crow, Yukon, a Vuntut Gwitchin First Nation community north of the Arctic Circle. Frei Njootli reflects on how life in Old Crow has shaped their artistic practice, which is deeply intertwined with community, land, and language—including the Gwich’in language, Dinjii Zhuh k’yuu.

Frei Njootli shares an excerpt from fellow community member Brandon Kyikavichik’s forthcoming book, Gijiint’aii: Try Your Best, reflecting on Elder Erwin Linklater’s teachings about the generational significance of the night sky and constellations in Gwitchin life and culture. Frei Njootli describes “witnessing and being witnessed by the stars,” illustrating the intimate relationship between sky, land, and cultural knowledge in their practice. They also speak about writing as inseparable from making: a constant consideration of language that informs both thought and form, “It’s something that I don’t know how to not do.”

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January 20, 2026

Luther Konadu

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Season 9, Episode 1

Season 9 of Momus: The Podcast launches with Luther Konadu, an artist and publisher based in Winnipeg, Manitoba. Reading from an influential book in his practice—The Narrow Door (Graywolf Press, 2016), subtitled  “A Memoir of Friendship,” by Paul Lisicky—Konadu speaks with Sky Goodden about the intricacies, influences, and productive frictions of working with your friends. “I think because we’ve known each other [a long time], any kind of criticism that can come our way is seen as a sign of love… holding each other ahead of time before we step into the world.”

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December 17, 2025

Minh Nguyen and Tiana Reid

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Season 8, Bonus Episode

Tune in to a special bonus episode of Momus: The Podcast featuring a live recording from the launch of writer and critic Minh Nguyen’s new book Memorial Park: Revisiting Vietnam (Art Metropole & Wendy’s Subway, 2025). This event, co-presented by Art Metropole and Momus as part of the Momus Talks series, brought Nguyen into conversation with writer Tiana Reid to discuss writing about place, the personal as critical position, and how art criticism can open up broader cultural histories and experiences by “using art to write about something else.” More about the book from Wendy’s Subway: “Driven by a diasporic curiosity that seeks discovery over dwelling on loss, Memorial Park avoids nostalgic idealism or reflexive condemnation. Instead, Nguyen takes seriously the legacy of Vietnamese liberation by naming what it has become—and what it has not. What emerges is a complex picture of the country today and a reflection on how we inherit and reckon with radical histories that shape our world.”

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October 21, 2025

Lucy Sante

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Season 8, Episode 8

Lucy Sante joins us for the finale of Season 8. The Belgian-born American critic, writer, and artist talks about her lifelong textual engagement with an extraordinary miscellany of culture and history. Sante shares the figures that have shaped her work, from a grade-school report on Nostradamus to Barbara Epstein, her editor at the New York Review of Books, to her various writing students across twenty years of teaching at Columbia and Bard. For her “meaningful text,” Sante focuses on Manny Farber, an early inspiration whose writing “infected me from the word go.” She reads from his essay “White Elephant Art vs. Termite Art” (Film Culture, No. 27, Winter 1962/63), an electric ode to “termite tapeworm-fungus-moss art … that goes always forward eating its own boundaries.”

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September 16, 2025

Andrii Ushytskyi

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Season 8, Episode 7

In the season’s penultimate episode, we feature Andrii Ushytskyi, a Kyiv-based writer, dancer, and co-editor of Solomiya, an independent magazine founded in response to Russia’s full-scale invasion of Ukraine. Ushytskyi begins by reading a short essay by Natalia Ginzburg, “The Son of Man” (Unita, 1946), and then speaks with Sky Goodden about his editorial arc and the responsiveness and faith that stewarding a publication—and writing—through a war has required. He also speaks to how the invasion has changed the nature of his writing, and how, for Ushytskyi, dance has emerged as a form of kinesthetic expression and release.

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August 19, 2025

Re’al Christian, JJJJJerome Ellis, and Diana SeoHyung

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Season 8, Episode 6

This special summer episode includes a live recording of the Spring issue of Post/doc, co-published by Momus and the Vera List Center for Art and Politics. The collaborative issue of the VLC’s biannual publishing series for discursive, speculative, experimental writing, and artistic practices features a new sound work by artist JJJJJerome Ellis and a new text by writer Diana SeoHyung, both reflecting on the theme of intervals—on languaging, language breaks, aphasia, riffing, and repeating. This recording of the launch, which took place in early May at Storm Books & Candy, in Brooklyn, includes SeoHyung’s reading of her text 가는 길: Decision to Leave / On Leaving / Leaving, and Ellis’s performance of Havensong. The episode is introduced by Lauren Wetmore in conversation with Re’al Christian, Assistant Director of Editorial Initiatives at the VLC, about originating Post/doc, and her own writing and editorial practice.

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July 15, 2025

Paul Chan

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Season 8, Episode 5

Paul Chan is an artist, writer, and former publisher. For this episode of Momus: The Podcast, Chan’s self-made automated doppelganger reads “Sade Today (after Judith Butler),” a piece he wrote for Evergreen (Spring/Summer 2025). He speaks to Sky Goodden about the implications of AI on writers (though they agree that criticism could present a special resistance) and his recent efforts to increase accessibility to his writing through audio recordings, while “hemlocking” its content against AI co-option. Chan also discusses the challenges of independent publishing, how he perceives writing as a form of daring, and how writing informs making. But in either case, he says, “ Choices are real choices when they’re neither given nor self-evident. That, to me, is the core of what it means to think creatively.” 

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June 17, 2025

Meghan O’Rourke

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Season 8, Episode 4

In this episode, Meghan O’Rourke, poet, author and editor of The Yale Review, speaks frankly about pursuing a creative and professional life with chronic illness. Joining Lauren Wetmore in conversation, and following a reading from Susan Sontag’s pivotal text “Illness as a Metaphor” (The New York Review of Books, 1979), which O’Rourke updated for the 21st century with her medical memoir The Invisible Kingdom: Reimagining Chronic Illness (Riverhead Books, 2022), O’Rourke speaks to how “The way you make work might not look as consistent as a kind of late-capitalist notion of productivity insists.” She also touches on her experiences as a critic and editor of criticism, insisting that both require one to be “capable of generosity and describing love.”

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May 20, 2025

Legacy Russell

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Season 8, Episode 3

In this episode, we feature Legacy Russell, the writer, curator, and Executive Director and Chief Curator of The Kitchen, an artist-driven non-profit space in New York City. As a cultural critic she has published the books Glitch Feminism (Verso Books, 2020) and Black Meme: A History of the Images that Make Us (Verso Books, 2024), which questions how we define Blackness through mediated material. For the podcast, Russell reads from Lorraine O’Grady’s iconic essay “Olympia’s Maid: Reclaiming Black Female Subjectivity,” first published in Afterimage in 1992, and collected in New Feminist Criticism: Art, Identity, Action (Routledge, 1994). Russell speaks with Sky Goodden about her relationship to O’Grady’s essay—one that “came before its time and carried us into the future”—and touches on the central conceit that perhaps also explains its controversy: “Lorraine truly believed in a culture that would allow for contestation.” But, Legacy reflects, perhaps our culture hasn’t caught up to her yet.

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April 21, 2025

Nizan Shaked

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Season 8, Episode 2

 

Nizan Shaked is our guest this month! Shaked is Professor of Contemporary Art History, Museum, and Curatorial Studies at UC Long Beach, and most recently the author of Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022). She speaks to Lauren Wetmore about the resources offered by criticality, writing for  ”liberals that I want to become more radical,” and researching her forthcoming book Art Against the System, for which she recently won a Warhol Arts Writers Grant. Shaked offers artist LaToya Ruby Frazier’s book The Notion of Family (Aperture, 2014) to consider the devastation perpetrated by imperial industry, its connection to art systems, and how artists provide models for how to deal with authoritarianism.

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