“I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
The American artist Howardena Pindell arrived in London for her first solo show in the UK just as the 45th US President landed for…
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“Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
On a perfect spring day in late May, I found myself huddled in a crowded gallery for an artist talk, my head leaning forward,…
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Episode 10: “What Makes Great Art?” with Dushko Petrovich
In our 10th episode, we continue our season-long exploration of the question, “What makes great art,” speaking to essential voices of our time…
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“This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
When I was an undergraduate in the early 2000s, Andrea Dworkin’s “anti-sex” writing was anathema to the prevailing discourse of feminism. The cultural moment…
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One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus
It’s been a hundred years of bent chrome furniture, and Germany is taking stock. On the centennial of the Bauhaus art school, new permanent…
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Invisible Labor and Black Burnout
One might think that the recent swell of interest in black art would have eased some of the burdens faced by those who have…
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The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia
Whatever else they do in this world or the next, gods take up space. Consider Dorothy Iannone’s recent exhibition Lady Liberty Meets Her Match…
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“What Makes Great Art?”: Momus: The Podcast with Osei Bonsu (Episode 9)
In continuing our season-long exploration of the question “What makes great art?” co-hosts Lauren Wetmore and Sky Goodden speak to essential voices about what…
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“But Can a Spirit Burn?”: Alternatives for Art Under Capital
We were reprimanded before the meeting even began. The guard, a tough looking woman employed at the Lisbon Tropical Botanical Garden, told us that…
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“So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar
Titus Kaphar came into the limelight soon after Time magazine commissioned him in 2014 to make a painting for one of its “Person of the Year”…
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