Across This Fraught Place: Survivance at the 2021 Texas Biennial
In one part of Tomashi Jackson’s video Vibrating Boundaries (Law of the Land) (Self Portrait as Tatyana, Dajerria, & Sandra) (2015), we hear audio…
Read MoreSondra Perry
“Proudly Broken and Refusing to ‘Fit'”: Legacy Russell on “Glitch Feminism”
Legacy Russell doesn’t do things IRL. Throughout her writing, you’ll find instead the term “AFK” (Away From Keyboard). As the mobile internet became ubiquitous in…
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“As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge
When I reached out to the directors of the “virtually-rooted” Dark Study, a recently-launched free experimental art school, I had envisioned writing a piece…
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In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”
It’s my last morning in Detroit, where I’ve come for two days to see an art exhibition. The wind’s picking up as I stand…
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What’s Wrong with a Fairly Good Biennial?
What’s not to like about good art, hung well – not too packed, not too sparse – across venues of many scales and vintages,…
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