Our Visuality: Abortion Care Work and Photography
What is the visuality of abortion care? Though I am writing this text for a publication based in Los Angeles—once my home for many…
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Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
Rarely do I find a work of art as disturbing as Louise Bonnet’s innocuously titled painting Figure Holding an Orange (2023). This thirty-square-foot oil-on-linen…
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Correcting for the Bawdy Rage of Paula Rego
The New York Times review of Paula Rego’s Tate Britain retrospective, published on July 7, begins: “Paula Rego is the kind of artist who paints a…
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