Abstraction, Legibility, and Desire in the Work of Brenda Draney
Sawridge First Nation artist Brenda Draney paints open-ended memories, what might have been or should have been or could have been otherwise. Her solo…
Read MoreJacques Rancière
Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch
Like a catchy Schlager tune, rightwing populism in Germany has matured into a countrywide plague. Historical guilt, which had until recently stalled the nationalism…
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“Liberation and Consumption”: Surveying Korean Art in the ’90s
It’s intimidating to absorb an institutional exhibition that spans a decade of a nation’s art scene, especially as an outsider. So a natural point…
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