A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
Sheila Heti’s most recent novel, Pure Colour, is a dream-like, funny, soulful, hard-to-wrangle meditation on what it means to live as someone else’s creation,…
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A Pile of Dirt
On the occasion of Architecture Fringe 2018, a Scotland-wide festival of art and architecture, I recently delivered an informal talk entitled “Piles of Dirt…
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A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice
The Canadian Pavilion at the 57th Venice Biennale has been partially destroyed. Its roof has been punctured, so it seems, by some inexplicable disaster….
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Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
The spiritual iconographies of Paul Petro’s roster are many. Robert Flack’s seven chakras series from the 1990s; Stephen Andrews’s heaven painting, and The Apostles;…
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Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
Photography gallerist Stephen Bulger (b. 1964) is celebrating a significant anniversary after steadily and concertedly contributing to the international market’s appreciation of photography’s position in…
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