“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you…
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The Capaciousness of Blackness: An Interview with Dawit. L. Petros
Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money,…
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More than Not: LACMA’s “Not I” and the Necessity of History
Not I: Throwing Voices (1500 BCE–2020 CE), a recent exhibition at LACMA, was in thrall to its ideas. Though ventriloquism was its central theme,…
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The Untenability of the Unethical Museum
The last time I visited a museum was in early March, when I saw artist Tishan Hsu’s survey at Hammer Museum in Los Angeles….
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What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
Three months ago, I bought a CD of poetry from Johnny Marceland, a sixty-year-old Dene man who lives in my hometown of Saskatoon. Throughout…
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Embarrassed Celebrity: Laurie Simmons’s Feature Debut
Celebrity is truly the public health crisis we deserve. I recently watched a clip of pop star Katy Perry on a Japanese game show,…
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Inside My Head: An Interview with Glenn Ligon
American artist Glenn Ligón is bringing together artworks spanning decades, continents, and themes that closely relate to his work with race and gender in post-war America….
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Labor Lost: Okwui Enwezor’s Artworld Biennale
Consuming visual art is conspicuously, if oddly, social. You are inherently distracted, aware of watching and being watched, even, perhaps especially, in the darkened…
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