Solitary: Collective Authorship and its Discontents
In Hongcheon, a county two hours east of Seoul, sits a wellness center designed to resemble a prison. Run by an organization named Happitory,…
Read MoreClaire Bishop
Cameron Rowland’s Property Relations
Cameron Rowland uses the language of conceptual art to critique the art world’s imbrication in histories of slavery, redlining, and policing. In particular, Rowland’s…
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Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time
Celia Perrin Sidarous’s second solo exhibition at Montreal’s Parisian Laundry was suffused with a sense of authority and sobriety that feels new in her…
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“Liberation and Consumption”: Surveying Korean Art in the ’90s
It’s intimidating to absorb an institutional exhibition that spans a decade of a nation’s art scene, especially as an outsider. So a natural point…
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Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
In movement study of a standard North American strip-search procedure, Francisco-Fernando Granados gambols through a codified gestural sequence: “empty pockets … remove clothing ……
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The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
Everything about publishing is changing, including art criticism and news. What sort of art coverage we consume, how we consume it, and on what…
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Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”
In the fall of 1929, the same month as the collapse of the American stock market, editors from the leftist magazine New Masses met…
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Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East
“Beauty” and “dreamscape” are not buzzwords in today’s critical-art discourse. And yet they describe the Mori Art Museum’s Lee Mingwei and His Relations: The…
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