The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
Throughout this period I was also discovering that I was multi-orgasmic … I was developing color systems which made forms turn, dissolve, open, close,…
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The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
Rachel Harrison’s acidic colors, faux-finish surfaces, and otherwise unseemly media screech like saboteurs of good taste. Unlike a certain nascent presidential candidate, however, they…
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The Anxiety of Influence: Jack Bush at the National Gallery
“I feel sorry for Jack Bush,” said an artist acquaintance of mine when I told him about the National Gallery of Canada’s recent, excellent…
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