Season 6

Drew Kahuʻāina Broderick (Kanaka ‘Ōiwi) joins Lauren Wetmore in conversation about Māhealani Dudoit’s fundamental text, “Carving a Hawaiian Aesthetic,” published in the first issue of ‘Ōiwi: A Native Hawaiian Journal – He ‘oia mau nō kākou’, which Dudoit co-founded in 1998. Broderick, an artist, curator, and educator from Mōkapu, Oʻahu, champions the text, saying “Kānaka ‘Ōiwi don’t have a lot of writing about our recent stories of art, so the few texts that do exist become more significant with time because they function as rare points of reference that we can all share when we’re reconstructing our own histories.” Broderick discusses challenges faced by Native Hawaiians around stories of their art within institutional settings and the role of writing in his own practice: “I’m an artist, but I have to write now because the work that I make, no matter how understood it is by the communities that I’m a part of, if it’s not written about it doesn’t really exist for a certain audience … Writing for me is a way to no longer have to waste time explaining what I already know.”

On the occasion of this episode and especially following the fires in Hawaiʻi, we encourage listeners to visit the Puʻuhonua Society and consider making a donation.

This episode is supported by The Mellon Foundation.

Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.

About the Guest

About the Guest, and more

  • Drew Kahuʻāina Broderick (Kanaka ʻŌiwi) is an artist, curator, and educator from Mōkapu, a peninsula on the windward side of Oʻahu, in US-occupied Hawaiʻi. Currently, he serves as director of Koa Gallery at Kapiʻolani Community College and as a member of kekahi wahi (2020–), a grassroots film initiative documenting stories of transformation across Moananui. Raised in a deep-rooted matriarchy, his work is guided by the multigenerational efforts of Kānaka ʻŌiwi women—especially his mother, maternal aunties, and grandmother—who have devoted their lives to art, education, organizing, and community in Hawaiʻi. Recently, he co-curated ʻAi Pōhaku, Stone Eaters (2023) with Josh Tengan and Noelle M.K.Y. Kahanu; Hawaiʻi Triennial 2022: Pacific Century – E Hoʻomau no Moananuiākea with Melissa Chiu and Miwako Tezuka; and Mai ho‘ohuli i ka lima i luna (2020) with Kapulani Landgraf and Kaili Chun. 

More by the Guest

Estuaries: An International Indigenous Art Criticism Residency

May 15June 4, 2023
Led by Dr. Léuli Eshrāghi and Candice Hopkins, and faculty members Sarah Biscarra Dilley, Dr. Cathy Mattes, Dr. Maia Nuku, Pablo José Ramírez, Dr. Jolene Rickard, Megan Tamati-Quennell, and River Whittle.

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