Season 7

Esteemed critic and writer Claudia La Rocco speaks to Lauren Wetmore about being a “dance partisan” and how “language can nail things down in a way that dance doesn’t.” This wide-ranging conversation touches on artists including Mikhail Baryshnikov, Simone Forti, and Moriah Evans, through critics including Jill Johnston and Megan Metcalf, to consider how dance and writing move through different institutions and histories. La Rocco reads American choreographer Susan Rethorst’s “Dailiness” from A Choreographic Mind: Autobodygraphical Writings (University of the Arts, Helsinki, 2015), which she describes as a text that “was formative for me but still fits me pretty well, and relates to both how I think about writing, and what is so special about dance.”

This episode is supported by The Blue Building

Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.

“Dance Isn’t Fixed” Claudia La Rocco

About the Guest

About the Guest, and more

  • Claudia La Rocco is the author of Drive By (Smooth Friend); Certain Things (Afternoon Editions); Quartet (Ugly Duckling Presse); The Best Most Useless Dress (Badlands Unlimited); and petit cadeau, published in live, digital, and print editions by The Chocolate Factory. Her collaborators include visual artist Anne Walsh, choreographers Rashaun Mitchell + Silas Riener, and musician/composer Phillip Greenlief, with whom she is animals & giraffes, an experiment in interdisciplinary improvisation that performs across the US and has released three albums. She was a critic for The New York Times (2005-15), editorial director of Open Space (2016-21), and now edits The Back Room at Small Press Traffic.

More by the Guest

Reviews December 20, 2024

Arenas of Freedom

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