Risking Fear: Hamad Butt at Whitechapel Gallery
In a large room, yellow glass bulbs were suspended from the ceiling, arranged like pendulums in a Newton’s cradle, lingering precariously about a foot…
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Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
Hélio Oiticica, one of the most famous figures of Brazil’s mid-century surge of experimental art, once said that his goal was to strike “a…
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Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
Three quarters of a lifetime ago, in the early spring of 1964, I saw an exhibition at the Whitechapel Art Gallery. Who exactly was…
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Weird Science: William Kentridge Deepens Time at Whitechapel
Normal science, wrote Thomas Kuhn, is the way most scientists spend their time: the quotidian task of theorizing, observing, experimenting – puzzle solving, in…
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Flickering Insight from the Whitechapel’s “Electronic Superhighway”
“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
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Can Abstract Art Still Be Radical?
Is abstract art, especially the geometric kind, radical anymore? This is the big question that vibrates through the Whitechapel Gallery’s rich and jam-packed history…
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