Season 4, Episode 3: Tausif Noor on “Hand in Glove”
“Like writing, fisting is both a replicable skill and a rarefied art form.” This brachioproctic line begins writer Tausif Noor’s “Hand In Glove” (Artforum, 12 April…
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Season 4 Episode 2: Nikki Columbus on “Guston Can Wait”
“Let’s stop talking about Philip Guston and start talking about structural racism.” This has been critic Nikki Columbus’s refrain through the past season, issuing…
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Season 4 Episode 1: What Artists and Curators Do for Money
Season 4 of Momus: The Podcast invites art critics and journalists to talk about an important piece of their writing – texts that carry…
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The Totemic Quotidian in Roula Partheniou
At a time when contemporary art production is dominated by forces outside its control, pulling and pushing against commercial and cultural contexts; when media…
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From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
The degree to which contemporary culture understands (or fails to understand) “The Art World” can be measured in how it gets portrayed in film…
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A House Divided: Theaster Gates’s Confused Beat at the AGO
Touted as “a new immersive work,” Theaster Gates‘s first museum solo exhibition – self-knowingly titled How to Build a House Museum, and recently on show…
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The Ages of Mat Brown
Mat Brown is an artist whose primary concern is the immensity of time. His large drawings, rendered delicately with transparent inks on board, resemble…
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The Humanist Impulse of Yousuf Karsh
Artist Paul Klee said that art does not reproduce the “visible,” it makes visible. What interested him was to get to the other side…
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Redefining the Sex in the Sale at Birch Contemporary
In the wake of last year’s No Man’s Land: Women Artist’s from The Rubell Family Collection, and the unprecedented Larry Gagosian / Jeffrey Deitch…
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A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
I see the use of multiple screens as a device to speed up the narrative flow in film, to conceptually give sequences (loops) momentary…
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