Lauren Wetmore interviews Swiss American curator and writer Alexandra Stock about her scathing critique of Christophe Büchel’s 2019 Venice Biennale project Barca Nostra. Published that…
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Rianna Jade Parker reads “Letter from London: What is the Status of Black Artists in England Today?” published in ARTnews (June 2020), and engages…
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“Like writing, fisting is both a replicable skill and a rarefied art form.” This brachioproctic line begins writer Tausif Noor’s “Hand In Glove” (Artforum, 12 April…
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“Let’s stop talking about Philip Guston and start talking about structural racism.” This has been critic Nikki Columbus’s refrain through the past season, issuing…
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Season 4 of Momus: The Podcast invites art critics and journalists to talk about an important piece of their writing – texts that carry…
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At a time when contemporary art production is dominated by forces outside its control, pulling and pushing against commercial and cultural contexts; when media…
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The degree to which contemporary culture understands (or fails to understand) “The Art World” can be measured in how it gets portrayed in film…
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Touted as “a new immersive work,” Theaster Gates‘s first museum solo exhibition – self-knowingly titled How to Build a House Museum, and recently on show…
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Mat Brown is an artist whose primary concern is the immensity of time. His large drawings, rendered delicately with transparent inks on board, resemble…
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Artist Paul Klee said that art does not reproduce the “visible,” it makes visible. What interested him was to get to the other side…
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