Writing About Indigenous Art with Critical Care
With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations,…
Read MoreRobert Houle
Toronto the Good, in Two Histories
Sometimes you get the history you want. Sometimes you get the history you deserve. And sometimes you get the history that’s good for you….
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