The Picture of Terror: Contemporary Art and the Islamic State
In January of 2015, Hito Steyerl ventured to the border between Turkey and Syria while the battle for Kobanê – a harrowing struggle between…
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For Common and Decent Things: Resisting Co-opted “Collaboration”
It’s more than working together. “Collaboration” has enjoyed a distinct currency in the twenty-first century as a buzzword that sailed from the open-office playgrounds…
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Interview: Emerging (and Rising) Artist Ajay Kurian’s Futures Long Since Passed
If we are to believe artist Hito Steyerl, then ours is an age of planetary civil war. With conflict distributed across the globe, there’s…
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Abigail DeVille Unburies Bodies at The Contemporary
What happens to history in a black hole? Abigail DeVille’s exhibition Only When It’s Dark Enough Can You See the Stars is a dense,…
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What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis
What should artists do in a time of crisis? This grave question haunted the avant-garde movements of the early twentieth-century. In the wake of…
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Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal
In 1968 political turmoil and tumult reverberated throughout America, Europe, and beyond. Marxist historian Eric Hobsbawm described this year as a signpost; almost every…
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