What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
Three months ago, I bought a CD of poetry from Johnny Marceland, a sixty-year-old Dene man who lives in my hometown of Saskatoon. Throughout…
Read MoreThree months ago, I bought a CD of poetry from Johnny Marceland, a sixty-year-old Dene man who lives in my hometown of Saskatoon. Throughout…
Read MoreHow can – how should – the ghosts of our brutalized bodies be ushered into public space? This was the enigma posed by Gregory…
Read MorePerhaps it’s an unfair caricature of MFA students, that each appears to inhabit their own personalized reality TV show. Perhaps. But having been one…
Read MoreType “Ed Atkins” into Google, and you’ll shortly come face to face with an asshole: not the artist himself – though his smiling visage…
Read MoreRemember that chunk of the Antarctic that fell into the sea, earlier this year? How big was it? Three trillion tons? Three hundred miles?…
Read MoreA few weeks back, as autumn arrived to Berlin, I listened to a thirty year-old curator explain that she was leaving art to study…
Read MoreMidway through the rooftop opening for Stages: Drawing the Curtain – a show of public art at Winnipeg’s Plug-In Centre – I look through…
Read MoreI confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
Read MoreWhen a curator chooses a title as desperately bubbly as Viva Arte Viva, something is clearly amiss. “Live art live!” – the 57th Venice…
Read MorePilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
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