Learning as Supporting: Alternatives for Futures in Art Education
Artist Eliza Swann moved to Los Angeles in 2013, after the spirit of a raven told her, head west. Swann had been in the…
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Gallerist Virginia Dwan, the Reluctant Legend
“Any ideas of art history or significance were forgotten,” wrote gallerist Virginia Dwan in 1990, remembering the first time she saw one of Yves…
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The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.
Emma Goldman described anarchism as “a living force in the affairs of our life, constantly creating new conditions,” refusing a “theory of the future…
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The Material Undoings of Kelly Lycan
During a month of dispiriting world news, the work first struck me as a room in mourning: an emptiness indifferent to being filled. White…
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Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”
“And why is this dedicated to Michael Jackson?” journalist Randy Kennedy asked Isa Genzken last February as both sat on a stage at the…
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