Mia Sandhu Holds the Gaze Hostage
Seeing You, Seeing Me, Seeing You, as a title, is a bit misleading. At first blush, you couldn’t tell whether the figures in Mia…
Read MoreJoseph Henry
“I Wish We Could Reach for New Language”: An Interview with Sky Goodden
Sky Goodden is the founding publisher and editor of Momus, an online art publication based in Canada. Since its founding in 2014 Momus has…
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Love and Loneliness: Queering Modernisms in Figurative Painting
I work on 22nd Street in the Chelsea gallery district of Manhattan, so it was easy to notice the painting. Louis Fratino’s I keep…
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“All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
“What, then, is the aura? A strange tissue of space and time: the unique apparition of a distance, however near it may be. To…
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Momus “Best Of”: Vol. 1
It’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
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The Suffering Body of 1993: Whatever Happened to the “Abject”
The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever…
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“What Instruments Have We?”: A Conversation with Emily Roysdon
“1. I believe in an alchemy of time. That a certain combination of words, a length of inaction, a discomposed room, or with some…
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Ryan McNamara and the Afterlife of Performance
How does performance art survive? What artifacts, narratives, or documents testify to performance’s occurrence? For the genre’s venerable practitioners from its historic moment of…
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Querying the New Appropriation Art: Is This Cynicism?
The Denny Gallery may have given themselves a curatorial headache with the title of their current exhibition, Share This! Appropriation After Cynicism. There are…
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Year in Review: The Women Represented
To cast back and select my favorite art this year requires a mnemonic leap of faith. I’d hope the ‘best’ exhibitions, pieces, and events…
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