We Are Gathered Here to Grieve: Salvaging, Mourning, and ‘Cargo Cult Formalism’ in New York
As New York galleries reopened after the first wave of lockdowns, I noticed a trend across a handful of exhibitions that channeled the alienation…
Read MoreJennifer Chan
This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
Read More
A Theory of Everything: On The State of Theory and Criticism (Part Two)
Continued from “A Theory of Everything: On the State of Theory and Criticism (Part One)” Looking at Towards an Anthropology of Influence, it’s possible to see…
Read More
The Commons of Aggregation: The Case for Net Art as Public Art
Let me begin with an art historical chestnut — a 1855 painting by the French painter Gustave Courbet called The Artist’s Studio, A Real…
Read More