Freeing Latin American Art from Eurocentric Curating
A dense black explosion looms, static in the museum’s center. Nuclear Fungus (2007), by Argentinean artist León Ferrari, sculpturally simulates the smoke caused by…
Read MoreGabriel Orozco
A Parasitic ‘joie de vivre’ in “Viva Arte Viva”
When a curator chooses a title as desperately bubbly as Viva Arte Viva, something is clearly amiss. “Live art live!” – the 57th Venice…
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Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
Kurimanzutto is a pristine, vaulted gallery in the San Miguel de Chapultepec neighborhood of Mexico City. As part of the recent exhibition XYLAÑYNU. Taller…
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