We Are Gathered Here to Grieve: Salvaging, Mourning, and ‘Cargo Cult Formalism’ in New York
As New York galleries reopened after the first wave of lockdowns, I noticed a trend across a handful of exhibitions that channeled the alienation…
Read MoreDavid Joselit
Love and Loneliness: Queering Modernisms in Figurative Painting
I work on 22nd Street in the Chelsea gallery district of Manhattan, so it was easy to notice the painting. Louis Fratino’s I keep…
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To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”
The complex work of contemporary artist, media theorist, and filmmaker Hito Steyerl often pivots on a surprisingly simple tactic – wordplay. Consistently, across both…
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