Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
In the spring of 1971, the Guggenheim was set to open a solo exhibition from German conceptualist Hans Haacke. It included two installations of…
Read MoreCarlos Motta
While the World Burns: The 32nd São Paulo Biennial’s Political Disregard
For the first time in the history of the São Paulo Biennial, the turnstiles disappeared. Attendees carried no tickets and sported no bracelets. The…
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